Features

Published on March 5th, 2019 | by Millennium Magazine Staff

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Springtime & Shaw Celebrates Women’s History Month

COLUMBIA, S.C. – The South Carolina Philharmonic presents the 5th concert of the 2018/2019 Masterworks Series Saturday, March 16, featuring pieces by Caroline Shaw, Beethoven, and Mozart.

To celebrate Women’s History Month, the South Carolina Philharmonic is partnering with Women’s Rights Empowerment Network (WREN), collaborating on a “Buy One, Give One” ticket campaign. With every ticket purchase through this portal, WREN will pass along a free ticket to a woman or girl who would otherwise be unable to attend.

From WREN: “Representation matters. And when we are able to increase the visibility of prominent female performers, we are able to strengthen the ability of women to see themselves as musicians, visionaries, and leaders.”

Springtime & Shaw opens with Ent’racte, a piece composed by Pulitzer Prize award winning musician, Caroline Shaw. While Shaw is well known in the classical community, she also has produced for pop artists including Kanye West. Wrapping up the concert is Beethoven’s Violin Concerto in D featuring Tessa Lark.

The program for Springtime & Shaw:

SHAW                                                  Ent’racte

MOZART                                              Symphony No. 36 “Linz” 

BEETHOVEN                                      Violin Concerto in D, Op. 61

                                                                Tessa Lark, violin

Tickets are on sale at The Koger Center Box Office now through March 16, 2019. For a full listing of the 2018/2019 season, click here.

This concert is co-sponsored by Mary Baskin Waters & Sam Waters and Tessa Lark is sponsored by Gail Morrison.

S.C. Philharmonic Mission: The South Carolina Philharmonic entertains, educates, enriches and excites diverse audiences through live symphonic music.

For more information about the South Carolina Philharmonic, please visit SCPhilharmonic.com or follow on Facebook,Twitter, and Instagram.


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